On a stormy night in Hampton the severe weather didn’t stop the fans of The Funeral Portrait from heading to Wally’s for a night of fun and music.
The first band of the evening was an American alternative metal band from Boston, Massachusetts formed in 2018 Major Moment. This is the second stop on their Not A Tour, Tour, (Part Twour.)
In a world where rock music is constantly evolving, Boston-based band Major Moment proved that passion and authenticity still matter. Performing to a crowd of devoted fans and curious newcomers, the band delivered an electrifying set that blended melodic intensity with raw emotional power.
From the moment the lights dimmed and the opening notes of “Toxic” filled the venue, it was clear that this wasn’t going to be just another rock show. Vocalists Andrey Borzykin and Sasha Razumova commanded the stage with haunting harmonies and heartfelt delivery, while the band’s polished musicianship gave each track a cinematic weight.
What truly sets Major Moment apart is their sincerity. Between songs, Borzykin took time to speak directly to the audience, offering words of encouragement and gratitude. In an industry often clouded by ego or pretense, their humility and message of unity felt refreshing and deeply human.
By the end of their set, the room was buzzing with energy. The band closed with “Dead,” a fitting finale that left the crowd erupting into applause.
Major Moment isn’t just a band—they’re a movement. With a sound that fuses the melodic weight of alternative rock with an edge, their live show is a must-see for anyone seeking substance with their sound. If you’re looking for a performance that moves you as much as it entertains, this is a band worth watching.
The next band of the night was alt-metal newcomers Glasswaves. They stormed the stage with a sound that was as precise as it was punishing. Known for their melodic vocals, and crushing riffs, the band proved they’re not just riding the next wave of heavy music—they’re helping shape it.
Opening with the haunting intro of “Voices,” the atmosphere immediately shifted. With influences ranging from Linkin Park to Spiritbox, Glasswaves has carved out a lane that feels both familiar and fearlessly modern.
The set was tightly packed and masterfully paced, igniting mosh pits and singalongs alike. The band’s ability to blend aggression with melody was on full display—each breakdown was balanced with introspective passages that allowed the audience to breathe, reflect, and then dive headfirst into the next sonic tidal wave.
By the time Glasswaves ended their set, the room was vibrating with energy—and a shared sense of release. The applause wasn’t just for a good performance; it was for a band that gave everything and left nothing behind.
Glasswaves are more than a promising new act—they’re a force with something real to say. If you’re a fan of heavy music that doesn’t shy away from emotion or atmosphere, catch them live before the venues get bigger. You’ll leave breathless, haunted, and hungry for more.
The next band of the evening was Finnish rock band that formed in 1994 in Helsinki The Rasmus. The original band members were Lauri Ylönen (founder, frontman, lead singer-songwriter), Eero Heinonen (bass), Pauli Rantasalmi (guitar) and Jarno Lahti (drums).
Best known for their 2003 hit single “In the Shadows”, the band has sold over 5 million albums worldwide and 350,000 albums in Finland alone, and has won numerous awards, both domestic and international. The band represented Finland in the Eurovision Song Contest 2022 with the song “Jezebel”.
Few bands manage to bridge the gap between nostalgic anthems and fresh reinvention as effectively as The Rasmus. The Finnish rock legends proved they’re far more than a throwback act—delivering a set packed with both familiar hits and modern reinvention that ignited fans old and new.
Opening with the pulse-pounding “First Day of My Life,” the band wasted no time reminding the crowd why they once dominated international rock charts. Lead singer Lauri Ylönen, with his signature raven-black feathered hair and magnetic stage presence, had the audience in the palm of his hand from the first note. His vocals—emotive, soaring, and remarkably preserved—cut through the mix with the same haunting clarity fans fell in love with over two decades ago.
The setlist was a well-crafted mix of early 2000s classics and newer material from their 2022 album Rise. While songs like “Rest In Pieces” and “Guilty” drew thunderous reactions and word-for-word singalongs. These showcased a band that has matured without losing its edge. The newer material held its own, proving The Rasmus aren’t just relying on past glories—they’re actively evolving.
The Rasmus delivered a powerful performance that balanced the weight of their legacy with the fire of a band still hungry for more. Whether you discovered them during the Dead Letters era or just tuned in for Rise, this is a band that knows how to make you feel—and in 2025, that’s more vital than ever.
The final band of the evening was an American rock band hailing from Atlanta, Georgia, The Funeral Portrait. The group formed in 2014 and currently consists of Lee Jennings (vocals), Cody Weissinger (lead guitar), Caleb Freihaut (rhythm guitar/auxiliary), Robert Weston (bass) and Homer Umbanhower (drums). Their musical style has been described as a blend of emotional hardcore, punk rock, and musical theater, with lead singer and frontman Lee Jennings comparing their sound on social media to a blend of bands such as My Chemical Romance, Ghost, and Motionless In White.
If rock and roll is theater, then The Funeral Portrait are masterful storytellers. The Atlanta-based “emotional theatrical rock” band turned the venue into a cathedral of catharsis, drama, and pure power. With dramatic lighting, and a stage presence that blurred the line between concert and ritual, the band delivered a performance that was impossible to look away from—and even harder to forget.
The show kicked off with a blast of energy as the band launched into “Chernobyl,” immediately setting the tone with explosive guitars, pounding drums, and frontman Lee Jennings’ commanding presence.
The Funeral Portrait’s set was a rollercoaster of emotion and atmosphere, shifting seamlessly between anthemic singalongs like “Holy Water” and darker, more haunting tracks such as “Voodoo Doll.” Their signature theatricality was everywhere: smoke machines, synchronized lighting, and moments of eerie silence punctuated by whispered lyrics or a single, spine-chilling guitar note.
Beyond the visual spectacle, what stood out most was the sincerity. Songs like “Blood Mother” and “Generation Psycho” didn’t just get the crowd moving—they meant something. Fans screamed the lyrics back with tears in their eyes and fists in the air. Between songs, Jennings spoke openly about mental health, healing, and community, reinforcing the band’s connection with its audience beyond the music.
Musically, the band was tight and dynamic, mixing the melodrama of My Chemical Romance with the grit of modern hard rock. The guitar tones were razor-sharp, the drums thundered, and the choruses soared. Every band member played with passion, but also with precision—each note carefully placed to support the theatrical arc of the set.
The night ended with an explosive performance of “Suffocate City,” turning the venue into a chaotic, beautiful mess of sound, light, and raw emotion. It was a last burst of collective release between band and crowd.
The Funeral Portrait are more than a band—they’re a movement, and a stage for the emotions we often hide. Their live show is a cathartic, high-voltage blend of theater and therapy, wrapped in riffs and painted in passion. If you haven’t seen them yet, you’re missing one of the most genuine and electrifying performances in modern rock.
The Funeral Portrait
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The Rasmus
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Glasswaves
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