The Summer of 99 tour continued in NH with Creed bringing along special guests Mammoth WVH and Daughtry for a night of pure entertainment.
The first band of the evening was American rock band formed and fronted by Wolfgang Van Halen, Mammoth WVH. The band name is a reference to Mammoth, an earlier band that featured his father Eddie and uncle Alex prior to forming Van Halen. Wolfgang formed Mammoth initially as a solo project while he was still a part of Van Halen, but became his full-time band after their disbandment in 2020 as a result of his father’s death. To date, the band has released two albums: Mammoth WVH (2021) and Mammoth II (2023).
Mammoth WVH has quickly proven that Wolfgang Van Halen’s vision for modern rock is both powerful and deeply personal, and their recent show was nothing short of electrifying. From the moment the lights dimmed, the crowd erupted with anticipation, and Wolfgang and his band wasted no time delivering a set that showcased both technical mastery and raw emotion.
The night kicked off with high-energy tracks like “Another Celebration at the End of the World” that instantly had fans moving, before shifting into the soaring melodies of “Epiphany” and “Take A Bow.” Wolfgang’s vocals were strong and commanding, blending seamlessly with his intricate guitar work, while the band behind him brought muscle and precision to every note.
What stood out most was Wolfgang’s authenticity. Unlike many acts that rely heavily on spectacle, Mammoth WVH focused on letting the music speak for itself. Between songs, Wolfgang connected with the audience with humility and a sense of humor, making the atmosphere feel more intimate despite the venue’s size.
Closing the set, Mammoth WVH left the stage proving that they’re not just carrying a legacy—they’re carving out their own. Genuine stage presence, and songs that balance hook-driven rock with heartfelt depth, Mammoth WVH delivered a concert that felt both refreshing and timeless.
The next band of the evening was American rock band Daughtry formed and fronted by namesake Chris Daughtry, who was a finalist on the fifth season of American Idol. Their self-titled debut album was released in November 2006 and reached number one on the Billboard 200. The album went on to sell more than six million copies in the United States, and has been certified six times platinum by the RIAA. Daughtry was also named the best selling album of 2007 by Billboard, becoming the fastest-selling debut rock album in Nielsen SoundScan history. The album produced four top 20 hits on the Billboard Hot 100, including top five hits “It’s Not Over” and “Home”.
When Daughtry takes the stage, it’s not just a concert—it’s an emotional release wrapped in soaring vocals, massive choruses, and pure rock energy. Their recent show was proof that Chris Daughtry and his band continue to be one of the most compelling live acts in modern rock.
From the opening number, the band hit hard with a mix of driving guitars and thunderous drums, immediately pulling the crowd to their feet. Chris Daughtry’s voice, as powerful and unmistakable as ever, carried effortlessly across the venue, whether belting out the grit of “The Day I Die” or pouring raw emotion into ballads like “Home.”
The setlist was a carefully crafted blend of fan favorites and newer material. Songs like “It’s Not Over” and “Home” had the audience singing every word, while more recent tracks showcased the band’s evolution, leaning into darker tones and heavier instrumentation without losing their signature heart.
One of the most memorable moments came during “Over You,” where the crowd’s voices nearly drowned out the band. Chris smiled between verses, clearly moved by the connection. This also gave fans a chance to experience the intimacy of his vocals in their purest form, offering a powerful contrast to the arena-filling anthems.
Throughout the night, Daughtry’s stage presence was dynamic but grounded. There were no gimmicks—just passionate musicianship, stunning vocals, and genuine interaction with the audience. Chris spoke openly between songs, showing gratitude for the fans who’ve been on the journey since his American Idol days, as well as those just discovering the band.
The final band to perform for the evening was American rock band from Tallahassee, Florida formed in 1994. Creed was prominent in the post-grunge movement of the late 1990s and early 2000s, releasing three consecutive multi-platinum albums; Human Clay (1999), the band’s second studio album, received diamond (11× platinum) certification by the Recording Industry Association of America (RIAA). Creed has sold over 28 million records in the United States, has sold over 53 million albums worldwide, and was the ninth best-selling musical act of the 2000s.
After years away from the spotlight, Creed’s return to the stage proved that their music still carries the same power and passion that made them one of the defining rock bands of the late ’90s and early 2000s. The moment the lights dimmed and the first notes of “Bullets” thundered through the speakers, the crowd erupted in a wave of excitement, reliving memories and ready for more.
Scott Stapp’s vocals soared with conviction, blending grit and emotion in a way that instantly transported fans back to Creed’s heyday. Backed by Mark Tremonti’s razor-sharp guitar work, Brian Marshall’s pulsing bass, and Scott Phillips’ tight drumming, the band sounded tighter and heavier than ever. Tremonti, in particular, brought an edge to the live sound that elevated hits like “Higher” and “What If” to stadium-shaking levels.
The audience connection was undeniable. During “With Arms Wide Open,” fans sang with such passion that Stapp often let the crowd take over, creating an almost spiritual atmosphere. The anthemic “My Sacrifice” was another high point, with the room lit up by phone lights and voices in unison, proving that Creed’s catalog still resonates deeply.
What stood out most was the band’s chemistry. After years of tension and hiatuses, the performance felt like a celebration—a group of musicians rediscovering their bond and sharing it with their fans. Stapp was in strong form, clearly energized, while Tremonti’s shredding reminded everyone why he’s one of rock’s most respected guitarists.
What also stood out was after “What If” they wanted to give away a guitar signed by the entire band. The way you could win that was to be the loudest, craziest, most excited fan in the audience tonight. They announced that the fan of the evening and the winner of the guitar was a young fan “Frankie”. They brought them up on stage and had them give a shout out. Stapp then said to the audience but your differences aside and the only way to do this was to sing “One.”
Closing with “One Last Breath” and the iconic “My Own Prison,” Creed left the stage to a roar of applause, fans both nostalgic and newly converted. It was more than a concert; it was a reminder of the band’s enduring impact and their ability to move a crowd like few others.
Creed
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Daughtry
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Mammoth WVH
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SNHU Arena
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